Robert Bagg: Poems, Greek Plays, Essays, Novels, Memoir

Bob's Blague

Review of The Tandem Ride

November 11, 2011

Tags: Bagg, Junkins, North Dakota Quarterly, poetry, classical, Madonna of the Cello, Cello Suite, ostrakon, Ostrakoi

Review by Donald Junkins in The North Dakota Review, Fall 2009, pp. 190-192

Robert Bagg has one of the few uniquely identifiable voices of his poetic generation at once open and condensed, yet poignantly explicit, probing and multilayered, a voice would one could call Baggian straight talk. In The Tandem Ride, he has compiled a versatile collection of not only a kaleidoscope of imagery and Classical allusions but also a dazzling assortment of personal experience and literary resonance. The distinguishing feature of Bagg's poems, early and late, is that he writes with a deft hand and gliding hawk's eye. He takes his subjects not only to heart but to mind, and the reader receives willingly the full force of both.

A ribbon for Bagg's penetrating diction and his excursions into the heart, for his invitation into the sensual worlds of his and our our own pasts, his minglings of the classical and modern worlds of what it is to be aware and human. No American poet has so updated, dramatized, and clarified within modern experiential settings Greek historical overtones and geographies as has Bagg. His intellectual range is prodigious, and his original diction testifies to his literary perceptions and his openness to human experience. His voice is authoritative and penetrative, and his lines simmer with overtones and undertones rife with wit and melodic in sounds.

In the opening poem, “Ostrakoi”—fragments of clay pots; one use to which 5th century B.C.E. Athenians put them was to find the matching half held by a long-lost relative—he remembers (more…)

Review of HORSEGOD

October 29, 2009

Tags: poemshape.wordpress.com, Gillespie, HORSEGOD, poems, review, poetry, Bagg

Horsegod: Collected Poems by Robert Bagg

October 26, 2009
by Patrick Gillespie

• In exchange for a complimentary copy, I expressed interest in reviewing poetry by poets “in exile” – the self-published. Specifically, I was looking for poets who trade in meter or rhyme, the disciplines of traditional poetry. This book, Horsegod: Collected Poems, by Robert Bagg, was the first book I received. What a great way to start.

Me? A reviewer?

And in addition to this book, I have two more books to review. I ask myself: What if it were my own poetry? No poet wants a comment that discourages readers from reading their work.

I favor criticism that analyzes poetry on its own terms rather than according to the tastes of the reviewer. For an idea of what I mean, check out my post on Marjorie Perloff’s criticism. (What poet wants to read that his or her rhymes are too simplistic when that is precisely the kind of rhymes they are pursuing.) Poets make aesthetic choices, and my own philosophy is not to criticize them for that – but to observe. Let’s see how I do.

About Robert Bagg

Just a couple words, because there’s a perfectly good biography of Bagg at his own website. The thing worth noting (and to my profound envy) is that he met and studied with (more…)

New Content on Bob's Blague Page: Current Reviews of THE COMPLETE PLAYS OF SOPHOCLES and THE TANDEM RIDE and Other Excursions: Poems 1955-2010